Under the Radar, a festival of experimental works curated by Mark Russell, had its first run in January 2005. Russell is a former artistic director of Performance Space 122. The festival featured theater, dance, and other experimental works. Oskar Eustis, the artistic director of the Public Theater invited Russell to bring the festival to his theater the following year. However, after 16 festivals over 17 years, the Public Theater decided to terminate Russell’s employment and subsequently cancel the festival citing financial reasons.
Under the Radar festival was designed to celebrate experimental work and serve as a platform for artists to showcase their work to thousands of presenters who may offer commissions and tours. Its inclusion of local and international artists made it an important part of New York City’s artistic life. Several artists felt that being part of the festival gave them wider exposure and financial stability.
Despite being on hiatus, Russell is looking for new producers and venues to carry on with the festival. He is optimistic, as festivals like this have proven to be popular, and he believes that new strategies can be implemented to make it work in the city. Eustis acknowledged that the festival has been important not only for the downtown arts scene but also for international communication among artists. Although he couldn’t promise it would continue, the festival’s significance will be deeply felt if it doesn’t.
